SatNamantas is a multidisciplinary artist whose practice emerges from the ashes of former identities — graffiti writer, tattooist, wanderer, myth-bearer. Rooted in years of raw urban expression and transitory living, SatNam’s present work moves beyond the walls and skin to canvas, paper, and symbol. His paintings carry the residue of earlier lives — the coded alphabets of underground graffiti, the architectural ink logic of
the nomadic rituals of a tattooist who etched stories from Vilnius to the Alps. But now, those fragments melt into something more fluid, more silent, and more metaphysical.
At the center of SatNamantas’ current work is the question of spiritual structure in a collapsing world. His paintings are not only images — they are diagrams of internal systems, cosmic cartographies, poetic algorithms that map the subtle body, trauma residue, dream codes, and sacred geometry. Often working in acrylic, ink, and pencil on raw surfaces, he layers intuitive marks with symbolic structures, forming a visual field that is at once ritualistic and scientific, mythic and mechanical.
Formerly embedded in subcultural undercurrents — from the cryptic bombing of trains, walls and rooftops across Europe, to the dark, experimental flash of tattooing — SatNamantas now approaches painting as a devotional act. His work no longer seeks visibility in the street or under the skin. It seeks inward architecture — to mark the invisible, to render sensation as symbol.
His visual language draws from Tantric diagrams, architectural blueprints, coded alphabets, and celestial mechanics. But these are only references; SatNam builds his own forms. Each piece becomes a silent invocation — an offering to stillness, to balance, to the real beneath illusion.
Born out of a long pilgrimage through cities, bodies, mountains, breakdowns, and rebirths, SatNamantas’ work exists beyond genre. He is not a graffiti artist, nor a tattooist, nor even a street mystic — though he has been all three. Today, SatNam is a painter. A builder of invisible temples. A scribe of the inner sky. A transmitter of what cannot be said.
He currently lives and paints between nomadic movements across Europe, carrying with him not only brushes and ink, but a deep dedication to making the unseen visible.
At the center of SatNamantas’ current work is the question of spiritual structure in a collapsing world. His paintings are not only images — they are diagrams of internal systems, cosmic cartographies, poetic algorithms that map the subtle body, trauma residue, dream codes, and sacred geometry. Often working in acrylic, ink, and pencil on raw surfaces, he layers intuitive marks with symbolic structures, forming a visual field that is at once ritualistic and scientific, mythic and mechanical.
Formerly embedded in subcultural undercurrents — from the cryptic bombing of trains, walls and rooftops across Europe, to the dark, experimental flash of tattooing — SatNamantas now approaches painting as a devotional act. His work no longer seeks visibility in the street or under the skin. It seeks inward architecture — to mark the invisible, to render sensation as symbol.
His visual language draws from Tantric diagrams, architectural blueprints, coded alphabets, and celestial mechanics. But these are only references; SatNam builds his own forms. Each piece becomes a silent invocation — an offering to stillness, to balance, to the real beneath illusion.
Born out of a long pilgrimage through cities, bodies, mountains, breakdowns, and rebirths, SatNamantas’ work exists beyond genre. He is not a graffiti artist, nor a tattooist, nor even a street mystic — though he has been all three. Today, SatNam is a painter. A builder of invisible temples. A scribe of the inner sky. A transmitter of what cannot be said.
He currently lives and paints between nomadic movements across Europe, carrying with him not only brushes and ink, but a deep dedication to making the unseen visible.